Trigger warnings are labels that preface documents with sensitive content if this content could be perceived as harmful by certain groups of readers. Since warnings about a document intuitively need to be shown before reading it, authors usually assign trigger warnings at the document level. What parts of their writing prompted them to assign a warning, however, remains unclear. We investigate for the first time the feasibility of identifying the triggering passages of a document, both manually and computationally. We create a dataset of 4,135 English passages, each annotated with one of eight common trigger warnings. In a large-scale evaluation, we then systematically evaluate the effectiveness of fine-tuned and few-shot classifiers, and their generalizability. We find that trigger annotation belongs to the group of subjective annotation tasks in NLP, and that automatic trigger classification remains challenging but feasible.

We present the first dataset and evaluation results on a newly defined computational task of trigger warning assignment. Labeled corpus data has been compiled from narrative works hosted on Archive of Our Own (AO3), a well-known fanfiction site. In this paper, we focus on the most frequently assigned trigger type--violence--and define a document-level binary classification task of whether or not to assign a violence trigger warning to a fanfiction, exploiting warning labels provided by AO3 authors. SVM and BERT models trained in four evaluation setups on the corpora we compiled yield $F_1$ results ranging from 0.585 to 0.798, proving the violence trigger warning assignment to be a doable, however, non-trivial task.

In 2011, a caustic British comedy writer named Charlie Brooker debuted a drama series that took some absurd premises about near-future technology and played them straight. It was funny to Brooker, but terrifyingly real to the rest of us. Despite only screening two seasons and six episodes -- each a one-off story -- the show became a cult hit in the UK. When it reached the U.S. via Netflix in 2013, it invaded American brains too (even before the 2014 Christmas special starring Jon Hamm). At this point the show has burrowed into our collective consciousness, and our collective conscience, like a robotic insect.